Stone spheres in a concrete courtyard. A wall struck open by its own visitors. Twenty-two pages that refuse to be hung. At Dib Bangkok, three works redrew the distance between looking and being moved — and asked something different of my body each time.

A 1957 drawing in which Picasso set his own photographed eyes inside the outline of an owl — a rare fusion of collage and line, made for his friend David Douglas Duncan — becomes the lens through which to read his five portraits of Angela Rosengart, painted across twelve years. A visit to Museum Sammlung Rosengart the day after her passing, and a meditation on the gaze that carried through all of it.